Oppenheimer (2024.11, Astonishing , Full )
Oppenheimer is an epic film that rewards the hard work required of the viewer. A full exploration of a man, physics, politics, and movie making. (5*)
Oppenheimer is an epic film that rewards the hard work required of the viewer. A full exploration of a man, physics, politics, and movie making. (5*)
Poor Things, the story of a baby’s mind in an adult woman’s body, is probably the most bizarre movie I’ve ever seen. It is also one of the best. (5*)
Maestro is a well told story of a romance between two individuals over decades and how it developed in the shadow of fame. (4.5*)
Killers of the Flower Moon is an exceptional and powerful movie about the Osage Native American murders of the 1920s, but it’s just too long! (4*)
Bardo: False Chronicle of a Handful of Truths is long, complex, statement of a man in multiple transitions. The film will reward viewers who have the time and patience to watch it more than once. (3.5*)
Empire of Light is a visual and sonic delight but leaves you empty. It portrays a May – November romance, set in a 1980s coastal movie theater. Needs much more chemistry between the characters and with the audience.
Elvis (4.5*) In a dazzling production full of sights and sounds, Baz Luhrmann paints the tragic story of a man who struggled to get back to his cultural roots.
Tar is movie requiring much patience and concentration, but the rewards are unique. About a female who achieves the top position in the classical music world and then falls, it is also about power, individualism, and, yes, cancel culture. My first (5*) movie of the year.
A German production, All Quiet on the Western Front re-adapts the 1928 novel of the same name, adding some distinctive scenes and commentary to the story of a young German man, and his friends, thrust onto the “Western Front” to fight the French in the final months of World War I. Accompanied by some stunning cinematography, dominating sound and music, and visceral visual effects, the film reaches new heights in presenting the horror of war. It also adds another, very important message about how events are felt differently depending on where you stand on the social ladder.
(4.5 *) The Tragedy of Macbeth is a powerful production that shows the relevance of Shakespeare to today’s modern age.
(4 Stars) A film noire psychological thriller that keeps your interests, darkly.
(3.5 *) Technically near perfect, but lacking in the dramatic storytelling.
(5 Stars) A stunning sensory experience and quite likely the next Star Wars.
(4.5 Stars) Quite likely the Best Picture of the Year. Let me explain why.
(3.5 Stars) Many good things here, but, in the end, not real memorable.
A powerful drama with terrific acting from Kaluuya, but needs some work on the story. (4 Stars)
(4 Stars) A good telling of an important moment in history that is relevant today.
(4.5 Stars) In addition to what you expect, it shows that old folks still have huge creative talent. Still one of the best pictures of 2019.
(3.5 Stars) A movie Of Hollywood, By Hollywood, and, most importantly, FOR Hollywood!
(4.5 Stars) A strange film with terrific moments about aging masculinity.
(4.5 Stars) Difficult to watch, especially right now. But perhaps necessary.
2/5 Oscar Nominations: Foreign Language Film (Poland)Director (Pawel Pawlikowski)Cinematography (Lukas Zal) Maybe one shouldn’t screen this movie after watching the German film “Never Look
(4.5 Stars) A German drama tracing the life of an East-German artist who struggles to find his true art form, and the meaning of his life. Professional critics didn’t like this as well.
(3 Stars) Although laced with fun and titillating moments throughout, the movie doesn’t deliver a totally coherent message.
(3.5 Stars) In yet another remake, Lady Gaga shows she can act better than Bradley Cooper can sing. Its OK if you’re into sappy romances.
(5 Stars) Probably the best movie of the year and a great example of excellence in all dimensions. A must-see film.
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