The Substance critiques Hollywood’s age and sex discrimination, highlighting the industry’s preference for young, attractive women. There is a way out of that problem, but it may take a bit more time. The film, through its exaggerated and absurd tone, effectively conveys the pressures women face to maintain their appearance, ultimately concluding in an excessive and disgusting display of blood and gore.
A Complete Unknown is a biopic about Bob Dylan’s early career, focusing on his relationships with women like Joan Baez and Sylvie Russo, and his musical influences like Woody Guthrie, Pete Seeger and Johnny Cash. The film takes creative liberties with historical accuracy, portraying Dylan as a complex and sometimes cruel character, prioritizing his musical creativity over his relationships. Ultimately, the movie is an artistic interpretation of Dylan’s life, not a documentary.
Initially unimpressed with Sean Baker’s “Florida Project,” I find myself appreciating, even liking “Anora.” While the explicit content and language may deter some viewers, the film’s skillful tonal shifts and open-ended conclusion make it worth considering. Set in a marginal world, it deals with universal themes.
Emilia Perez, a controversial film, received Oscar nominations for its unique story, music, and performances. However, its portrayal of Mexican culture, including the use of non-Mexican Spanish and insensitive themes, sparked outrage and led to its downfall. The film’s director, Jacques Audiard, is criticized for his lack of cultural understanding and respect.
For each category I present my best guess for which 2025 Oscar movie will win with an explanation of my reasoning.
A look at the 2025 Oscar General Interest movies as rated and ranked by the viewing public and by critics.
Oppenheimer is an epic film that rewards the hard work required of the viewer. A full exploration of a man, physics, politics, and movie making. (5*)
Poor Things, the story of a baby’s mind in an adult woman’s body, is probably the most bizarre movie I’ve ever seen. It is also one of the best. (5*)
The Zone of Interest is more than just a story of evil. But the film’s best characteristics are damaged by extraneous scenes. (3.5*)
An accident? A suicide? Or was it murder? Anatomy of a Fall will keep you oscillating between the possibilities even past the end. (4*)
Killers of the Flower Moon is an exceptional and powerful movie about the Osage Native American murders of the 1920s, but it’s just too long! (4*)
Triangle of Sadness starts as an interesting riff on money and sexual politics, turns into a disgusting display of sophomore humor, and ends as an insult to the audience. How did this become an Oscar nominee? (1.5*)
The Fabelmans is a well crafted movie focusing on the roots of Steven Spielberg’s remarkably successful career. Still, it might not be for everyone. (4*)
Tar is movie requiring much patience and concentration, but the rewards are unique. About a female who achieves the top position in the classical music world and then falls, it is also about power, individualism, and, yes, cancel culture. My first (5*) movie of the year.
Everything Everywhere All at Once is an insane look at one woman’s romp through the multiverse as she learns what is really important about life. (4.5*)
Set during the Irish Civil War in 1923, in a very small village on an isolated island (Inisherin) off the coast of Ireland, Padraic (Colin Farrell) finds his lifelong friendship is torn when his older best friend, Colm (Brendan Gleeson) suddenly, and without apparent reason, finds him “dull” and no longer wants to be with him. The change alters both men, and the entire village, both emotionally and physically. Martin McDonagh’s carefully written and directed script is executed by an Irish-born cast with seemingly perfect chemistry. A must-see film for any adult interested in how and why relationships, of any kind, change and, sometimes, end. (4.5*) The Banshees of Inisherin
(3.5 *) Another good take on family. Terrific setup in the first 10 minutes.
(3.5 *) Technically near perfect, but lacking in the dramatic storytelling.
(3.5 *) Alana Haim is a real gem, but the movie is a Hollywood-inside-joke.
(4.5 Stars) Quite likely the Best Picture of the Year. Let me explain why.
(4 Stars) A film that walks a fine line between drama and messaging. And a terrific Mikkelson performance.
(4.5 Stars) A terrific thriller that is also a romantic comedy and a social commentary. Fun in many ways, but with an important message.
(5 Stars) An exceptionally well crafted movie that moves you through multiple emotions all while exploring the complexities of social class.
(4.5 Stars) In addition to what you expect, it shows that old folks still have huge creative talent. Still one of the best pictures of 2019.
(3.5 Stars) A movie Of Hollywood, By Hollywood, and, most importantly, FOR Hollywood!
(4.5 Stars) Difficult to watch, especially right now. But perhaps necessary.
2/5 Oscar Nominations: Foreign Language Film (Poland)Director (Pawel Pawlikowski)Cinematography (Lukas Zal) Maybe one shouldn’t screen this movie after watching the German film “Never Look
(3.5 Stars) Liberals will find humor and lots to support disliking Cheney. Conservatives, well, maybe you should avoid this one.
Questa del Rio News: Questa, New Mexico.
Gringo Gazette: Cabo San Lucas, Mexico.
Sierra County Sun: Truth or Consequences, New Mexico.